Design Movements

Your constantly-updated definition of Design Movements and collection of videos and articles.
Be a conversation starter: Share this page and inspire others!

98 Shares

What are Design Movements?

Design movements are deliberate, often collective, approaches to style, materials, function, and context in design that emerge when designers respond to broader social, technological, or economic forces.

For UX (user experience) designers, in addition to a product’s interface and functionality, the visual, physical, and behavioral language the user perceives shape its UX. By understanding how design movements structured decisions about form, function, materials, and user context, you can borrow the underlying principles to create more coherent, meaningful, and future-aware experiences.

In this video, watch how UX design grew from early aesthetic principles through the rise of personal computing to become a multidisciplinary practice focused on creating intuitive, meaningful experiences across products and services.

Transcript

Know the Past, Admire the Movement, Adapt the Spirit

Why mention the past when you might feel you’re supposed to be looking forward to innovative designs? The past is past, after all, and however great the movements that once shaped design were, aren’t their products now largely the stuff of museums, history books, and retro-oriented living rooms and dens? However, consider what powerful design movements from other times achieved, including the Arts and Crafts movement, De Stijl, and Bauhaus. Each movement defined its own visual and material language, its values around how people use things, and the way design should respond to users, tools, and environments.

Sure, some movements may seem to have been more about furniture and buildings than anything “transferable” to, say, screens showing digital products. “Seem” is the operative term there. You’ll soon find that, beneath the surface, you’ll get to enjoy three important benefits when you know about design movements and what they can do, namely:

1. Richer Visual & Interaction Vocabulary

Understanding movements gives you metaphors and references, not just “make it flat” but “make it like De Stijl grid clarity” or “like Arts and Crafts tactility.” That versatility helps you design more memorable and coherent experiences. Knowledge of design movement context can help you avoid treating design as isolated elements and, instead, view interaction, layout, tone, visual style, and even technological affordances as part of a larger culture of design.

2. Deeper Meaning & Values Embedded in Design

Design movements encode values, such as craft, honesty, function, and sustainability: things you might notice when you look deeper at what the forms and visuals mean. When you pick a style for your UX design, you implicitly pick those values. And when you’re aware, you’ll find yourself more empowered to design more consciously and with clearer direction, being able to see things from far above the surface.

3. Better Anticipation of How Users Interpret Design

Users bring cultural expectations which design history has shaped. If you lean into a minimal, Bauhaus-inspired interface, for example, a user is going to expect certain behaviors of it: things like clean structure, minimal ornamentation, fast performance. If you ignore that, you’ll risk confusing them, such as a Bauhaus-looking design that might have too much going on inside it to actually be Bauhaus. However, if you design intentionally with that history in mind, you meet implicit expectations. There’s another “plus” in this, too: knowing about design movements can help you recognize recurring patterns in design decision-making, such as minimalism, ornamentation, modularity, and material honesty.

Speaking of culture, in this video, Alan Dix, Author of the bestselling book “Human-Computer Interaction” and Director of the Computational Foundry at Swansea University, explains how cultural differences shape how users interpret interfaces and why thoughtful localization helps you meet those expectations.

Copyright
Transcript

Design Movements Worth Understanding

While it’s not an exhaustive list, you can find “major players” below in terms of movements that have left their mark, and not just on the floors of antique stores, walls of art galleries, and boulevards of beautifully historic neighborhoods. It’s loosely grouped into sections that capture the type of contribution and status each movement has.

Historical Foundations: Arts and Crafts (c. 1880–1920)

This movement reacted to the industrial revolution’s mass production by celebrating craftsmanship and honesty in materials. It favored handmade objects, visible construction, and utility.

You can use this legacy when you’re designing with a human touch, and think tactile micro-interactions, transparent processes, and experiences that feel crafted, not generic.

Historical Foundations: De Stijl (1917–1931)

Founded in the Netherlands, De Stijl emphasized pure geometry, primary colors, and harmony through simplicity. It aimed to remove personal expression in favor of universal clarity.

De Stijl (Dutch for “the style”) shows up in clean grid systems, modular design, and minimalist UIs (user interfaces). When you want to create a balanced, rational experience, De Stijl’s principles can help you keep things focused and uncluttered.

Historical Foundations: Bauhaus (1919–1933)

Bauhaus merged art, craft, and industrial design, with a belief that design should be functional, democratic, and visually balanced. “Form follows function” became its core principle.

This one’s a root of modern UX, although Bauhaus wasn’t UX design’s sole “source” of “form follows function.” From flat design to user-first interfaces, Bauhaus influences usability, layout consistency, and the idea that beautiful things should work well for everyone.

Consumer & Lifestyle Influences: Mid-Century Modern (c. 1945–1970)

With roots in postwar optimism, this movement favored clean lines, organic shapes, and ease of use in everyday products. It emphasized comfort and friendly minimalism.

So, how do 1950s’ sideboards, coffee tables, and the like translate to UX design? Well, Mid-Century Modern is great for consumer-facing apps and devices, so you can use this sensibility to design welcoming, accessible, emotionally warm products that avoid technical coldness.

Consumer & Lifestyle Influences: Memphis Design (1980s)

This bold, playful movement rejected minimalism and instead embraced geometric forms, wild patterns, and vibrant color clashes to make design fun, loud, and unconventional.

UX-wise, Memphis is ideal for expressive, brand-heavy, or entertainment-driven interfaces. And, if your product targets younger users or niche creative audiences, this movement encourages experimentation and visual delight.

Visual-Systems Movements: Swiss / International Typographic Style (1940s–1970s)

Also known as the International Style, this movement prioritized typography, grid alignment, and neutrality and emphasized legibility and order.

This one is another heavyweight in terms of influence on UX, and its style is foundational to web design and information architecture (IA). It influences layout grids, clear hierarchy, and logical visual flow, especially so in data-heavy dashboards or content-first designs.

In this video, William Hudson, User Experience Strategist and Founder of Syntagm Ltd., explains how information architecture organizes content into clear structures that help users navigate complex digital spaces.

Transcript

Visual-Systems Movements: Postmodernism (1970s–1990s)

Postmodern design challenged modernist “truths” by embracing contradiction, playfulness, and cultural reference. It blurred high and low design, often with a sense of irony.

When you use it with care, postmodern cues can work well in branding, gamified systems, or interfaces that aim to surprise and provoke. It encourages you to break patterns, intentionally, but to be mindful with complexity and ambiguity and all that deconstructed meaning.

Visual-Systems Movements: Web Brutalism (2010s)

This internet-age movement mimics the raw, “unstyled” look of early web pages, and, sure, it emphasizes honesty and speed over visual polish.

Brutalism can be useful for experimental projects, developer tools, or communities that value authenticity over gloss. Note, however, that it’s not always going to be ideal for accessibility or broad appeal.

Digital-Era Movements: Material Design (2014–present)

Developed by Google, Material Design blends tactile cues with digital clarity and uses shadows, layering, and motion to guide users and create depth.

Featuring widely across Android and web platforms in the 2020s, Material Design provides a clear system for visual hierarchy and interaction feedback. As such, it can be a strong choice for scalable, accessible designs you can put your brand stamp on.

In this video, Frank Spillers, Service Designer, Founder and CEO of Experience Dynamics, explains how Material Design provides clear affordances, strong hierarchy, and accessible contrast to support clean, scalable interfaces.

Transcript

Digital-Era Movements: Neumorphism (2020s)

A kind of short-lived but eye-catching trend that combined soft shadows and subtle depth, neomorphism is a soft, minimalist “cousin” of skeuomorphism. Skeuomorphic designs include lined-paper icons for notepad applications and the recycle bin or trashcan icon as a holding area for deleted files on a laptop, for instance.

While it’s visually interesting, this one can sometimes be not all that great for accessibility. So, if you use neumorphic styles, test them carefully for contrast and usability, especially on touch interfaces.

Watch as this video explains how accessibility ensures that digital products remain usable and enjoyable for people with disabilities.

Transcript

Digital-Era Movements: Flat Design (2010s)

As a response to skeuomorphism, flat design removed shadows, gradients, and depth, and it emphasized clarity, speed, and content over visual decoration.

Flat design is clean, efficient, and scalable, but it can lack affordance; for an idea as to how important affordances are, think of door handles. Make sure your minimalist choices still signal interaction clearly; users need cues to act properly.

Explore how visible affordances and clear signifiers help users understand what actions are possible in a design, in this video.

Transcript

Ethical and Systemic Movements: Sustainable Design (2000s–present)

More of a philosophy than a visual style, sustainable design prioritizes environmental responsibility, lifecycle awareness, and long-term value. And it’s pretty much what it sounds like: looking out for people, communities, the planet, and designers doing right by designing mindfully for them.

In UX design, with all the screens and things that appear on them to help people, this means designing for durability, repairability, and ethical use. It’s like an “anthem” for building experiences that respect user time, reduce friction, and avoid dark patterns or manipulative nudges.

Ethical and Systemic Movements: Human-Centered Design (ongoing)

Human-centered design focuses on understanding human user needs, behaviors, and contexts through research and iteration. It emerged from design thinking and systems design and “humanized” the user considerably; better still, it evolved into humanity-centered design and advanced the cause of designing well and mindfully with a truly noble goal in sight.

Centering design around humans and humanity is foundational to a UX practice, as it reminds you to base design decisions on empathy, testing, and evidence that impact humans and the wider ecosystem in which humans need to thrive. That’s far better, and infinitely more inspiring, than designing with assumptions or aesthetics alone.

In this video, Don Norman, Father of User Experience (UX) design, author of the legendary book “The Design of Everyday Things,” and co-founder of the Nielsen Norman Group, shows you how humanity-centered design builds on empathy and user research by encouraging you to address root problems, consider interconnected systems, and refine solutions with the people they affect.

Transcript

How to Use Design Movements in Your UX Work

Understanding these movements gives you a richer vocabulary and sharper judgment. Here’s how to put that knowledge to work:

1. Analyze the Influences in Your Current Design

Ask yourself: “What movement does this design borrow from, consciously or not?” If it’s a clean, grid-based layout, it might echo Swiss design. If it’s a bold splash page with animated shapes, then possibly Memphis.

2. Match Movement Principles to User Needs

If your users want speed and clarity, Swiss or Material Design might make the best sense. If you’re building a creative platform, maybe Postmodernism or Memphis can help you stand out. Knowing the use cases can help you attune your design choices to what users really want in a design.

In this video, William Hudson explains how use cases help you bridge the gap between requirements and design by mapping every interaction between a system and the outside world.

Transcript

3. Extract Values, Not Just Visuals

Don’t copy the look; adapt the logic. Bauhaus didn’t mean “make it grey and minimalist”; it meant “remove what doesn’t serve function.” Arts and Crafts didn’t mean “add decoration”; it meant “show the process honestly.” That’s a vital point. The movements happened the way they did and their product designs looked the way they did as they occurred during their respective eras. The movements’ designers created within the respective context of their times; things would be different now for them if they hadn’t emerged then. If, for example, Bauhaus hadn’t existed at the time but “came along” later, then it possibly wouldn’t have produced those signature styles quite as we know them now; and it wouldn’t have been “Bauhaus.” So, as you’re in a different era from them, design with intention instead of lifting a style from the past and replicating it for the sake of a “retro” look in your own UI.

4. Communicate Your Design Language

Share your movement references with your team or stakeholders and the rationale for doing so. You might say, “We’re using a Mid-Century Modern approach for warmth and simplicity,” or “We’re testing Brutalist layouts to increase authenticity.” And if some stakeholders like it just because it “looks cool,” you can smile because you know the real reasons have deeper foundations.

5. Watch for User Interpretations

Users bring expectations shaped by visual history that makes sense to them. Their mental model may help them find that a flat button feels tappable, or it might make it invisible to them. Use design movement cues to guide users, not confuse them.

Overall, design movements offer far more than just style guides; they give you historical insight, cultural depth, and design reasoning to help get your own design right. When you learn their patterns, values, and visual languages, you can design with purpose and not just fall in with a trend or (perhaps worse) mimic for the sake of “quaintness.” For example, unless you’re designing a 1920s-themed site for an era-related purpose, don’t lift the form without reckoning carefully on the reason.

Whether you borrow the harmony of De Stijl, the clarity of Swiss design, or the ethical rigor of human-centered practices, movements help you anchor your UX decisions in something bigger. They make your interfaces not only usable, but meaningful, too. Speaking of meaning, remember to keep in step with the spirit of design movements. And take heart from knowing that the more you know about where design has been, the better the chances are that you can shape where it’s heading. You can make it a great destination for your users, your brand, and the product itself.

Questions About Design Movements?
We've Got Answers!

How can understanding design history improve my UX work today?

Design history gives you a solid design foundation. By studying past movements like Bauhaus or Swiss Style, you can learn timeless principles, like clarity, usability, and visual hierarchy, that still drive effective UX today. This knowledge helps you recognize why certain solutions work and gives you the confidence to defend your design decisions.

When you draw on historical insights, you bring depth to your work, avoid reinventing the wheel, and align your designs with what users subconsciously expect.

Explore how effective user research helps give you that strong foundation you need to design upon.

How has the Bauhaus movement influenced UX and UI design today?

Bauhaus shaped today’s UX and UI by promoting “form follows function.” It taught designers to strip away the unnecessary and focus on usability. Clean lines, grids, and geometric shapes you see in interfaces today come straight from Bauhaus thinking.

The movement also united art and industry, much like how UX connects visual design with technical development. Today’s minimalist design systems and modular components reflect the Bauhaus legacy in digital form.

Find more insights about form, function, and more in our article Aesthetics and form need to hold hands.

What role did Modernism play in shaping UX principles

Modernism revolutionized design by championing rationality, clarity, and purpose. These values became the bedrock of UX principles. It moved design away from decoration and toward problem-solving. Concepts like consistency, hierarchy, and user-focused content came directly from the Modernist belief in simplicity and order.

UX practices like wireframing, information architecture, and task flows all reflect a Modernist approach: design must serve a function, not just please the eye.

Explore the world of wireframing for important insights to help you set off in the right design direction.

How does Minimalism influence current UX design?

Minimalism pushes you to remove clutter and focus on what users truly need. It promotes clean layouts, clear typography, and purposeful interactions. This improves usability by reducing cognitive load and guiding users smoothly through tasks.

Many successful apps, like Google Search, embrace minimalism to offer intuitive, distraction-free experiences. When used well, minimalism can increase user trust and boost conversions by making interfaces feel effortless and efficient.

Discover essential design tips, including about minimalism, in our article Top 10 UI Trends Every Designer Should Know.

How did the Swiss Style (International Typographic Style) affect digital interface design?

Swiss Style revolutionized interface design with its focus on grids, alignment, and typography. These principles help you create clean, balanced layouts that support user scanning and comprehension. Grid systems in many UI frameworks owe their structure to Swiss Style. The use of sans-serif fonts, asymmetric layouts, and visual hierarchy all trace back to this movement. Swiss Style taught designers to communicate clearly and prioritize function, and that’s a perfect match for digital design.

Get a greater grasp of grid systems for important insights into how to make better designs with them.

How do I apply design movement principles to my UX projects?

To apply design movement principles, start by choosing a movement aligned with your project goals. For example, use Bauhaus for functional clarity, Swiss Style for layout precision, or Minimalism for focus and simplicity. Study how these movements approached composition, color, and typography. Then, apply those rules when designing UI components, setting grids, or creating visual hierarchies. The goal isn’t to replicate a style, but to borrow its wisdom to solve modern UX problems more effectively.

Explore how to make the best choices for the typography of your user interfaces.

Should I follow a specific design movement when creating a new product or app?

Not necessarily, but aligning with a movement can provide structure and clarity. Use a movement’s principles as a guiding framework, not a strict rulebook. For example, apply Minimalism to keep the UI focused, or draw from Swiss Style for a clean layout. Let your product goals, brand identity, and user needs dictate which elements to adopt.

Mixing influences often leads to a more distinctive design than following one movement rigidly and can improve UX if you do it thoughtfully. Blending Bauhaus simplicity with Swiss Style structure, for instance, can result in both clarity and usability. But careless mixing can confuse users or create visual inconsistency.

Always prioritize user goals over aesthetic experimentation. Test combinations with real users and refine based on feedback. When principles complement rather than clash, you create a richer, more effective design system.

Speaking of influences, explore how to design to delight users and more, in our article The 7 Factors that Influence User Experience.

How do I recognize which design movement a design belongs to?

Look for visual and functional clues. Swiss Style features clean grids and sans-serif fonts. Bauhaus uses geometric shapes and prioritizes function. Minimalism strips down to essentials. Modernism values clarity and rational structure. Arts and Crafts emphasizes craftsmanship and detail.

Pay attention to layout, typography, spacing, and the designer’s intent. Recognizing these traits helps you reverse-engineer design logic and draw inspiration for your own, original work.

Delve into design history to tighten your grasp of the past and knowledge that can help you with now.

What’s the risk of following a design movement too strictly in UX?

Strictly following one movement can limit creativity and ignore user needs. For example, extreme Minimalism might oversimplify and frustrate users looking for context. Or rigid Swiss Style grids might not suit a brand’s emotional tone.

Your UX design must adapt to real-world users, not just design philosophies. Use movements as flexible frameworks, not rigid systems, and always prioritize usability and context over stylistic purity.

Understand user needs to give yourself a strong foundation on which to build your design decisions.

What are some recent or highly cited articles about design movements?

Charnley, K. (2020). Art, design and modernity: The Bauhaus and beyond. Open Arts Journal, 9, 43–56.

This article examines the legacy of the Bauhaus by juxtaposing the work of László Moholy-Nagy and Anni Albers to reveal a richer, more nuanced vision of design modernity than the dominant narrative of industrial “machine aesthetics” suggests. Charnley argues that the Bauhaus cannot be fully understood without acknowledging its pluralistic and hybrid practices, including handcrafts and textiles. This critique expands the historiography of design beyond the narrow confines of function-driven modernism and encourages a more inclusive account that appreciates the roles of gender, materiality, and embodied practice. The article is widely cited in design history for this reframing.

Woodham, J. M. (2001). Designing design history: From Pevsner to postmodernism. Working Papers in Culture, Discourse and Communication, 1(1), 1–12.

In this foundational essay, Woodham traces the development of design history as an academic discipline, from early art historical approaches (e.g., Nikolaus Pevsner’s work) to more socially contextual and interdisciplinary models that emerged with postmodernism. He critiques how design history has often been reduced to discussions of style and elite designers, calling instead for an approach that includes mass production, material culture, and socio-economic conditions. This article has been influential in legitimizing design history as a scholarly field and in broadening its scope to intersect with sociology, cultural studies, and critical theory.

Bloomsbury Publishing. (2024). The Design History Reader (2nd ed.). Bloomsbury.

This anthology‑style volume brings together a wide array of seminal texts, both original primary writings (by designers, critics, reformers) and key secondary analyses, spanning from the 17th century to the present day. The updated 2024 edition broadens its scope globally, addressing not only canonical European and American design movements, but also issues such as decolonization, sustainability, gender, and globalization.

Earn a Gift Earn a Gift, Answer a Short Quiz!

1
2
3
4
1
2
3
4
Question 1
Question 2
Question 3
Get Your Gift
Interaction Design Foundation logo

Question 1

What are design movements in the context of design history?

1 point towards your gift

  • Trends focused only on UI design tools and software
  • Collective shifts in aesthetic, philosophical, or cultural approaches to design over time
  • Lists of fonts and color palettes for digital projects
Interaction Design Foundation logo

Question 2

Why is knowledge of design movements useful for UX and interaction designers?

1 point towards your gift

  • It helps designers explain their choices using shared historical language
  • It guarantees higher salaries in all design jobs
  • It replaces the need for usability testing
Interaction Design Foundation logo

Question 3

Which of the following is a historically significant design movement that influenced modern design?

1 point towards your gift

  • Bauhaus
  • Digital Interface Standardization 2025
  • Mobile App Templates

Learn More About Design Movements

Make learning as easy as watching Netflix: Learn more about Design Movements by taking the online IxDF Course User Experience: The Beginner's Guide.

Why? Because design skills make you valuable. In any job. Any industry.

In This Course, You'll

  • Get excited when you experience how easy it is to transition into tech and land your dream job with User Experience (UX) design skills. No design background? No problem. You already have transferable skills, so it's easy to fast-track your career

  • Learn to combine logical thinking with creativity. Do you enjoy creativity and structure? Do you communicate ideas clearly? UX designers turn ideas into services, experiences, and products. This course helps you structure your existing skills and apply them in an innovative, creative context. You'll use hands-on methods that empower you to continuously test and optimize your products and services from idea to delivery.

  • Make yourself invaluable when you use the very fabric of being human, such as empathy and intuition, to make users and customers smile. More smiles, more impact, greater salary potential. You'll find out what your users need and want, and you'll build products, experiences, and services that help them succeed. You can benefit from UX design in any job, any industry. As AI becomes part of everyday work, timeless human-centered UX design skills help you decide what problems are worth solving and how solutions should actually work for people. This approach turns AI from a tool into your new superpower, keeping your work useful, relevant, and centered around peoples’ needs, even as technologies change.

  • Gain confidence and credibility when you master a range of powerful, real-world UX design skills such as user research, user interviews, personas, customer journey maps, sketching, task analysis, low-fidelity paper prototyping, and usability testing. It's easy with downloadable templates

  • Craft your personal portfolio with step-by-step guidance. It's completely optional. Your portfolio is your gateway to transition into a career in tech or design. You'll be able to apply your new skills immediately in your current job. If you're new to UX design, this course is the best place to start. Your path to tech starts here. UX design is your way in.

It's Easy to Fast-Track Your Career with the World's Best Experts

Master complex skills effortlessly with proven best practices and toolkits directly from the world's top design experts. Meet your experts for this course:

  • Don Norman: Father of User Experience (UX) design, author of the legendary book “The Design of Everyday Things,” and co-founder of the Nielsen Norman Group.

  • Rikke Friis Dam and Mads Soegaard: Co-Founders and Co-CEOs of IxDF. 

  • Mike Rohde: Experience and Interface Designer, author of the bestselling “The Sketchnote Handbook.”

  • Stephen Gay: User Experience leader with 20+ years of experience in digital innovation and coaching teams across five continents.

  • Alan Dix: Author of the bestselling book “Human-Computer Interaction” and Director of the Computational Foundry at Swansea University.

  • Ann Blandford: Professor of Human-Computer Interaction at University College London.

  • Cory Lebson: Principal User Experience Researcher with 20+ years of experience and author of “The UX Careers Handbook.”

Get an Industry-Recognized IxDF Course Certificate

Increase your credibility, salary potential and job opportunities by showing credible evidence of your skills.

IxDF Course Certificates set the industry gold standard. Add them to your LinkedIn profile, resumé, and job applications.

Course Certificate Example

Be in distinguished company, alongside industry leaders who train their teams with the IxDF and trust IxDF Course Certificates.

Our clients: IBM, HP, Adobe, GE, Accenture, Allianz, Phillips, Deezer, Capgemin, Mcafee, SAP, Telenor, Cigna, British Parliament, State of New York

All Free IxDF Articles on Design Movements

Read full article
Build a common language by referring to design movements - Article hero image
Interaction Design Foundation logo

Build a common language by referring to design movements

Let’s check out a couple of words that are vital to us. Without them or their functions, life would be a nightmare. It would take ages to get anything done! Thankfully, we have categorization and labeling to help us understand our world and communicate with others.Labels and categories are great, ti

Social shares
754
Published
Read Article

Build a common language by referring to design movements

Build a common language by referring to design movements

Let’s check out a couple of words that are vital to us. Without them or their functions, life would be a nightmare. It would take ages to get anything done! Thankfully, we have categorization and labeling to help us understand our world and communicate with others.

Labels and categories are great, time-saving building blocks. As user experience designers we can leverage them to communicate more efficiently and purposely. In this article, we will have a look at some design movements and how we can use them. We also hope it serves you to freshen-up your knowledge on design history!


Author/Copyright holder: John Atkinson. Copyright terms and licence: All rights reserved Img source

We recently came across this smart infographic by cartoonist John Atkinson, from Wrong Hands (http://wronghands1.com/). He has managed to make it so visual and easy to compare different modern art styles. Thanks!

Remember those labels and categories? Can you see how neatly we can apply labels to the different art movements? In the space of seconds – if even that long! – many people can say that a painting comes from a certain movement. Those with some expertise can go further and fine tune that by recognizing the artist within the movement. Well, that’s great because it shows the point here. Someone, like you, can look at an object or design and, without getting into the game of twenty questions, where you ask yourself about the item’s qualities, you can categorize it mentally, in a moment. When talking to other designers, you can talk using a label for an artistic movement (e.g., surrealism) and the other person can recognize it instantly.

As a user experience designer, you might feel that art is far removed from your everyday practice. We’re designers, not artists! For sure, our motivations and skills are different, but this doesn’t mean that we can’t learn from art styles and use them as a reference. Before you keep reading, just take a few seconds to think of ways in which art can be useful for your work.

Well?

You could, for example, use the image above to frame a design conversation with your client, manager or colleagues. It won’t be long before all the “isms” become general knowledge to them. Images tell a thousand words, and it’s a nice, light piece – a fun way to help you talk about design.

Or, you could use any of these movements to explain the rationale of your design decisions. Refer to how any of them have influenced you or use an analogy, saying how your decision resembles elements or the spirit of a movement, or a shift between movements.

Or, in a co-creation session, you could take the various movements of art and use specimens of each for the participants to work on their creations.

What about design movements labels?

Look closely at the six characters in the picture. What imagery do they conjure for you?


Author/Copyright holder: Clive Hilton. Copyright terms and licence: All rights reserved Img source

Yes, they are labels in themselves! Their appearances (dress, posture, etc.) reflect the categories they are portraying. Without giving away the answers, we might suggest that it would have been hard to find a punk rocker in the time when Beethoven was composing. That’s not meant to sound patronizing; it’s just to show how simply and effectively we can take something as large and abstract as a movement, find a place for it (categorizing it), and then think about or discuss it (labeling it).

Labels are great because they help us have a readily accessible image of what designs truly are and where they belong in relation to other categories of designs.

Before reading about each of the design movements pictured by these 6 characters, we invite you to test your current knowledge by matching the figures above with each of the movements!

Design in a Nutshell

The Modern Art Simplified poster by John Atkinson also reminded us of a resource we had bookmarked some time ago: “Design in a Nutshell” by Clive Hilton of the UK’s Open University. In six short videos, he summarizes the lowdown of six key design movements. Through them, you can learn about:

Gothic Revival: this was one of the most influential styles of the 19th century. This movement based its designs on forms and patterns used in the Middle Ages. It was “caused” by the Industrial Revolution. Not everyone was happy with the way things were going back then; many sought solace in medieval designs as a refuge from the powerful effects of mechanization. Retaliating against the perceived intrusion of the industrialized world, this movement reached far into the past, particularly taking comfort in ancient architecture. In England, many ornate, Gothic-looking churches and stately homes appeared at this time. Imagine living in a house like this!

Arts and Crafts: this movement stood for traditional craftsmanship using simple forms. It often used medieval, romantic or folk styles of decoration and was all about getting back to craftsmanship in a world saturated with mechanization and technology. A direct reaction to the effects of mass production, it flourished in Europe and North America between 1863 and 1910. It’s important to note that it wasn’t a rebellion against machines; it was a desire to bring the then-fading spirit of craftsmanship back to life and master the machines. Products started looking more carefully and lovingly made, allowing people to value them better.

Bauhaus: this movement started at an art school in Germany that combined crafts and the fine arts and operated from 1919 to 1933. It was revolutionary in that it harnessed many design disciplines, such as pottery, and married art and craft with new technology. It was about minimalism and booting out unneeded decoration while thinking about the world from outside the box. Unfortunately, thinking outside the box could get you into terrible trouble in 1933 in Germany.

Modernism: this movement arose in the late 19th and early 20th centuries. It called for up-to-date activities and creations to match the new economic, social, and political environment of an emerging, fully industrialized world. Its central tenet was that the function of an item should always determine its form. So, if you’d lived back then and had to design a pier, you’d likely have focused more on designing the pier for its purpose than considering the pretty features you’d want.

American Industrial Design: this movement resulted from the mass production that flourished after the Great Depression. It encouraged people to buy consumer goods by making these newly manufactured products appealing in design. Looks guided functionality - people could make statements about their lifestyles and personalities through the commodities they bought, ranging from toasters and lamps to sofas and cars.

Postmodernism: is a late-20th-century movement that was a departure from modernism. In March 1972, it popped up and challenged the old “less is more” credo of modernism. Unimpressed with what modernism saw as exciting, postmodernism gets people asking questions. To the dismay of its critics, it revives historical elements and techniques, such as ornateness. Fuelled by mass media and an increasingly inter-connected world, postmodernism is our age. It can still amuse, entertain and shock us; it keeps us pushing at the edges of what we see, asking about the nature of things. You could say that people have never before been able to be so creative or self-expressive thanks to their era!

The Take-away

Design history might seem irrelevant to your work as a user experience designer. Remember this, though: the knowledge of design movements can help you in many ways.

First, we see how cleanly the labels we can apply to the different categories of artistic and design movements slot into place. That’s a great gift! We don’t have to waste precious time trying to explain all the features and qualities of a movement before the other person understands what we’re talking about. Because the categories are already there (and have been there for many years!), we can take a beautiful shortcut and refer to them using labels that many of us will know.

Second, these different art and design styles can be a source of inspiration! We spend lots of time browsing the web. The next time you’re online, why not look out for the designers and artifacts these movements have generated as guides for your designs? They’re not hard to find, and you may be surprised at how many items you can see around you that owe their existence to at least one or two of these. Unless you live in a fully authentic Renaissance house and have no possessions made after 1800, you’re bound to find an interesting variety!

So, now you can use art and design movements to build a common language and understanding with your team and stakeholders. The same goes when working with users; you can use these movements to know what they stand for. Just make sure, beforehand, that the audience of your product won’t feel patronized by these references.

These design categories are chunks of living history that are exceedingly relevant to us as designers. Are you still not convinced? Then, just for fun, check out Clive Hilton’s work to find out your design alter-ego. You just need to answer six multiple-choice questions. I took this mini-test and found out “who” my alter-ego was … Ludwig Georg Van Der Pound! I’m more than comfortable with the match!

Who might your alter-ego be?

Where to learn more

Feel Stuck?
Want Better Job Options?

AI is replacing jobs everywhere, yet design jobs are booming with a projected 45% job growth. With design skills, you can create products and services people love. More love means more impact and greater salary potential.

At IxDF, we help you from your first course to your next job, all in one place.

See How Design Skills Turn Into Job Options
Privacy Settings
By using this site, you accept our Cookie Policy and Terms of Use.
Customize
Accept all

Be the One Who Inspires

People remember who shares great ideas.

Share on:

Academic Credibility — On Autopilot

Don't waste time googling citation formats. Just copy, paste and look legit in seconds.